Temptation of St. Thomas (Velázquez)
Painting by Diego Velázquez
| Temptation of St. Thomas | |
|---|---|
 | |
| Artist | Diego Velázquez |
| Year | 1632 |
| Medium | Oil on canvas |
| Dimensions | 244 cm × 203 cm (96 in × 80 in) |
| Location | Cathedral Museum of Sacred Art, Orihuela |
The Temptation of St. Thomas is a painting by the Spanish Baroque painter Diego Velázquez, executed in 1632 and housed in the Museum of Sacred Art of Orihuela Cathedral, southern Spain.
The work, for a period, was attributed to Murcian painter Nicolás de Villacis, until it was recognized as Velázquez's in the 1920s. It portrays the episode of the life of Saint Thomas Aquinas when, as a novice, he resisted the temptation represented by a prostitute, who is visible in the background door. The saint is held by an angel, while another is preparing to dress him with a white ribbon, representing chastity.
Temptation of St. Thomas is among Velázquez's better-known paintings.[1]
See also
References
- ^ Lowe, Alfonso; Seymour-Davies, Hugh (2000). The Companion Guide to the South of Spain. Companion Guides. p. 345. ISBN 1900639335.
Sources
- Velázquez, Catálogo de la Exposición. Museo del Prado. 1990.
External links
- Velázquez , exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on this painting (see index)
- v
- t
- e
- The Lunch (c. 1617)
- Old Woman Frying Eggs (c. 1618)
- The Farmers' Lunch (1618)
- Three Musicians (1618)
- The Waterseller of Seville (1618–1622)
- The Kitchen Maid (1620–1622)
- The Needlewoman (c. 1635–1643)
- The Triumph of Bacchus (1628–1629)
- Apollo in the Forge of Vulcan (1629)
- The Surrender of Breda (1634–1635)
- Mars Resting (1640)
- Rokeby Venus (c. 1647–1651)
- Female Figure (1648)
- Las Hilanderas (c. 1657)
- Christ in the House of Martha and Mary (1618)
- Saint Paul (1618–1620)
- Adoration of the Magi (1619)
- Joseph's Tunic (1630)
- Temptation of St. Thomas (1632)
- Christ Crucified (1632)
- Coronation of the Virgin (c. 1641–1644)
- The Nun Jerónima de la Fuente (1620)
- Don Luis de Góngora (1622)
- Philip IV in Armour (after 1623)
- Count-Duke of Olivares (1624)
- The Infante Don Carlos (1626–1627)
- Maria Anna (1630)
- Philip IV in Brown and Silver (1630s)
- Portrait of a Man (c. 1630)
- Prince Balthasar Charles with a Dwarf (1631)
- Don Juan Mateos (1632–1633)
- Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis (1634)
- Count-Duke of Olivares (1635)
- Prince Balthasar Charles as a Hunter (1635)
- Juan Martínez Montañés (1635–1636)
- Pablo de Valladolid (1636–1637)
- Lady with a Fan (1638–1639)
- Philip IV in Fraga (1644)
- Francisco Lezcano (1645)
- Pope Innocent X (1650)
- Juan de Pareja (1650)
- Mariana of Austria (1652)
- The Infanta Maria Theresa of Spain (1652–1653)
- Infanta Margarita Teresa in a Peach Dress (1653–1654)
- Las Meninas (1656)
- Infanta Margarita in a White and Silver Dress (1656)
- Infanta Margarita Teresa in a Blue Dress (1659)
- Prince Philip Prospero (1659)
- Infanta Margarita Teresa in a Pink Dress (1660)
portraits
- Elisabeth of France (c. 1628–1636)
- Count-Duke of Olivares (1634)
- Margarita of Austria (1634)
- Philip III (1634–1635)
- Philip IV (1635–1636)
- Prince Balthasar Charles (1635)
- Prince Baltasar Carlos in the Riding School (1636)
- Calabacillas (1626–1632)
- Don John of Austria (1632–1633)
- Barbarroja (1633)
- Calabacillas (1637–1639)
- Sebastián de Morra (c. 1645)
- Don Diego de Acedo (1645)
- View of the Garden of the Villa Medici (c. 1630)
- Statue of Velázquez (1899, Madrid)
- El ministerio del tiempo (television series)
| ||
|---|---|---|
| Books |  | |
| Hymns and prayers | ||
| Thought | ||
| Related |
| |
| ||
 | This article about a sixteenth-century painting is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
