Kvinna utan ansikte
16. 9. 1947 (1947-09-16)
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Kvinna utan ansikte (sh. Žena bez lica) je švedski igrani film snimljen 1947. u režiji Gustafa Molandera. Po žanru je drama, a protagonist, čiji lik tumači Stig Olin je, mladić koji se oženio za svoju trudnu djevojku (koju tumači Anita Björk). Radnja prikazuje kako započinje destruktivnu vanbračnu aferu sa neurotičnom ženom (čiji lik tumači Gunn Wållgren).
Uloge
- Alf Kjellin - Martin Grandé
- Anita Björk - Frida Grandé
- Gunn Wållgren - Rut Köhler
- Stig Olin - Ragnar Ekberg
- Olof Winnerstrand - Mr. Grandé, Martinov otac
- Linnéa Hillberg - Mrs. Grandé, Martinova majka
- Georg Funkquist - Victor
- Marianne Löfgren - Charlotte, Rutina majka
- Åke Grönberg - Sam Svensson
- Sif Ruud - Magda Svensson
Vanjske veze
- Woman Without a Face na sajtu IMDb
- p
- r
- u
Ingmar Bergman
Filmografija
- Crisis
- It Rains on Our Love
- A Ship Bound for India
- Music in Darkness
- Port of Call
- Prison
- Thirst
- To Joy
- This Can't Happen Here
- Summer Interlude
- Secrets of Women
- Summer with Monika
- Sawdust and Tinsel
- A Lesson in Love
- Dreams
- Smiles of a Summer Night
- The Seventh Seal
- Wild Strawberries
- Brink of Life
- The Magician
- The Virgin Spring
- The Devil's Eye
- Through a Glass Darkly
- Winter Light
- The Silence
- All These Women
- Persona
- Hour of the Wolf
- Shame
- The Rite
- The Passion of Anna
- The Touch
- Cries and Whispers
- Scenes from a Marriage
- The Magic Flute
- Face to Face
- The Serpent's Egg
- Autumn Sonata
- From the Life of the Marionettes
- Fanny and Alexander
- After the Rehearsal
- The Blessed Ones
- In the Presence of a Clown
- Saraband
- Torment
- Woman Without a Face
- Eva
- While the City Sleeps
- Divorced
- Last Pair Out
- The Pleasure Garden
- The Best Intentions
- Sunday's Children
- Private Confessions
- Faithless
- The Making of Fanny and Alexander
- "Daniel" (segment u Stimulantia)
- Karin's Face
- Mr. Sleeman Is Coming
- The Venetian
- Rabies
- The Image Makers
- Bergman Week
- Ingmar Bergman Makes a Movie
- The Dove
- The Seduction of Ingmar Bergman